Live from the NY Met: Roberto Devereux
Donizetti’s gift for melody and understanding of the human voice are on full display in Roberto Devereux, but the score goes beyond that, revealing the dramatic possibilities inherent in the best of the bel canto tradition. Just one remarkable example is the trio finale to Act II for Devereux, Nottingham, and Elizabeth, which contains a range of emotions and psychological states in one cohesive musical structure: the anxious lover, the betrayed husband and friend, and the scorned woman are all given full expression. The opera’s finale belongs entirely to Elizabeth, in a variation of the classic mad scene as an internal journey and spiritual crisis. A nod to local color is found in the overture, which (anachronistically) quotes 'God Save the Queen.'